I co-edit Capacious: Journal for Emerging Affect Inquiry (a member of the Radical Open Access Collective) and co-organize the international Affect Inquiry/Making Space conference. I am a founding member of the Society for the Study of Affect and co-facilitate the SSA Summer School. I teach at Hum, an interdisciplinary program with residents of Vancouver’s Downtown Eastside at the University of British Columbia and facilitate an ongoing 14-week feminist technoscience salon in partnership with VPL nə́c̓aʔmat ct Strathcona Branch. My writing has been published or is forthcoming in Capacious, Canadian Theatre Review, Fieldsights, Fordham University Press’ Transdisciplinary Theological Colloquia series, and Oxford Bibliographies in Literary and Critical Theory. My work reads across feminist and Indigenous technoscience to imagine accountable theory-making and new media storytelling practices. I maintain a freelance design practice consulting with artist-run institutions to design online commons and print publications.
I co-edit Capacious: Journal for Emerging Affect Inquiry and co-organize the international Affect Inquiry/Making Space conference. I am a founding member of the Society for the Study of Affect and co-facilitate its Summer School. I teach at Hum, an interdisciplinary program with residents of Vancouver’s Downtown Eastside at the University of British Columbia and facilitate an ongoing 14-week feminist technoscience salon in partnership with VPL nə́c̓aʔmat ct Branch. My writing has been published in Capacious, CTR, Fieldsights, FUP’s Transdisciplinary Theological Colloquia series, and Oxford Bibliographies in Literary and Critical Theory. My work reads across feminist and Indigenous technoscience to imagine accountable theory-making and new media storytelling practices.
CAPACIOUS
Nº 3
I edited and designed the third issue of Capacious featuring a foreward by Andrew Murphie and a dialogue between Kyla Wazana Tompkins and Tavia Nyong’o.
SEE MORETeaching
New Media
I teach new media with Humanities 101/201 and Hum Writing 101/201 at the University of British Columbia for residents of Vancouver’s Downtown Eastside.
SEE MOREDoing
STS
I lead an ongoing 14-week feminist technoscience salon with Hum (University of British Columbia) in partnership with VPL nə́c̓aʔmat ct Strathcona Branch.
SEE MOREFabulation
Project
Remixing Joseph Dumit’s Implosion Project, I designed a theory-making game that gets at the tangled material, textual, technical, and political threads that make up technoscience’s worldings.
SEE MOREBodying
Difference
Differently
I reviewed Natalie Alvarez’ Immersions in Cultural Difference: Tourism, War, Performance from an STS angle for Canadian Theatre Review.
SEE MOREEcological
Panic!
I presented on anxiety as an “unworlding attunement” at Capacious: Affect Inquiry/Making Space and circulated an accompanying zine.
SEE MOREAffect Inquiry/
Making Space
I co-organized the international Capacious: Affect Inquiry/Making Space conference, aimed at keeping affect studies forever rangy: emerging from various and divergent knowledge-fieldings and conceptual angles.
SEE MOREPower of
Immersion
I co-taught a workshop series on anticolonial approaches to affect studies at Affective Societies’ “The Power of Immersion: Performance, Affect, Politics” International Spring School at Freie Universität Berlin.
SEE MOREComposting
Settler Nationalisms
I co-presented on compost as multispecies method at Mikinaakominis/TransCanadas: Literature, Justice, Relation and co-authored an article in Capacious: Journal for Emerging Affect Inquiry, vol. 1, no. 3.
SEE MORECapacious
Nº 2
I edited and designed the second issue of Capacious featuring an afterword by Lauren Berlant and a dialogue between N. Katherine Hayles and Tony D. Sampson.
SEE MOREReligion, Emotion, Sensation
I presented on process thought as an erasure of Indigenous futures at “Affectivity and Divinity: Affect Theories and Theologies.” My text is included in a forthcoming Fordham University Press collection.
SEE MOREDoing
Multispecies Rituals
I authored an online game and accompanying text meant to rechoreograph what living and nonliving entities count in making sovereignties and kinships. I launched the game at Unravelling Religion 4: Bodies and Objects.
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